List of Students


Associated Courses

Courses associated with the Centre include:

MSc Digital Colour Imaging
This course provides in-depth knowledge and analytical experience in the application of colour science and technology and gives focus to colour imaging technology and its application in the communications and graphic arts industries.

MA Conservation
The MA offers you the opportunity to focus on a self-managed programme of work, encompassing conservation practice, scientific research, museological investigation and art historical / bibliographical investigation. These subject areas are supported by specialist classes in studio and laboratory techniques.

PG Dip Conservation
The Postgraduate Diploma in Conservation course is designed for students who wish to study Conservation at postgraduate level, but who do not have the specialist degree qualification needed for an MA.

BA Conservation
Through hands-on working experience of organic objects from real collections, students develop and understand conservation decisions and techniques. Studio work is supported by science, museology and technical studies, allowing you to expand knowledge and skills and respond confidently to a wide variety of professional opportunities

FdA Book Conservation
The course focuses on the conservation of books while exploring the broader context of conservation as a profession. The multi-disciplinary nature of conservation, with its combination of the humanities, sciences and craft skills, is particularly appealing to those with a strong interest in cultural heritage who enjoy a variety of approaches to learning

 

PhD Students

See below for a list of current PhD students  

Leonor Loureiro

'Finding coated paper: movements towards their identification for conservation purposes'
DOS: Mark Sandy

Theresa Zamit Lupi

‘A study on the historical binding structures and materials used in the manufacture of a collection of 16th century choral books’
DOS: Professor Nicholas Pickwoad
Supervisor: Mark Sandy

Tobias Rausch

‘ICC based colour management on non-paper based substrates’

Pat McBride

'From craft to profession: the case of paper conservation'
DOS: Anthony Kent
Supervisor: Mark Sandy

Mojgan Moddaresi

'The use of novel technology in enhancing the efficacy of natural cosmetic actives'
DOS: Dr Danka Tamburic
Supervisor(s): Mark Brown, University of Hertfordshire; Stuart Jones, Kings College

Madhuri Shamanna

'Development of natural multifunctional cosmetic ingredients using biotechnological approach'
DOS: Dr Danka Tamburic
Supervisor(s): Taj Keshavarz, University of Westminster

Kiran Deshpande

'To derive a method for n-colour separation'
DOS: Dr. Phil Green

Kwame Baah

'Defining Acceptable Colour Tolerances for Identity Branding - Psychophysical Modelling of Colour Apperance in Free Viewing Conditions'
DOS: Dr. Phil Green

Catherine Bailey

'An Investigation into the Provenance of, and Identification of Materials from, a Collection of Early Nineteenth Century Chinese Botanical Drawings (part of the Reeves Collection) with a view to Establishing its Unique Position within ‘Export Art’ and to Ascertain the Optimum Methods of Treatment for its Conservation'

Publication: 'Root Map', Illustration, Issue 21, Autumn 2009.

DOS: Mark Sandy
Supervisors: Dr Aeli Roberts, Professor Toshio Watanabe

Konstantinos Chatziantoniou

'Reused ecclesiastical textiles in a post-Byzantine monastic context: designs, materials and techniques as a means of assessing original use and provenance'
DOS: Mark Sandy
Supervisor(s): Dr Athanasios Velios